Amy Lee took her facebook page last night to put things clear about the VIP experience the band are giving to the fans.
In a previous post when the band released a statement (14/08/2017) with the tour details in the official website they said:
“Synthesis Live” fan and VIP pre-sales are on-sale beginning Tuesday, August 15 with general on-sale–beginning Friday, August 18. Every ticket sold will come with a download of the new album, Synthesis when it is released later this fall. As an added bonus, ticket buyers will also receive songs from the album prior to the album’s release date, beginning with a stunning new reworking of the band’s biggest hit, “Bring Me To Life,” which will be available for download to all ticket buyers as well as on streaming services and in digital stores beginning this Friday (August 18).
A variety of VIP ticket packages are available to ensure fans obtain the best seats in the house. Other VIP benefits include the opportunity to meet and enjoy a champagne toast with the band, attend their soundcheck, and receive exclusive merchandise items.
Synthesis Pre-show Experience with Evanescence
One premium reserved seat in the first 5 rows
Greet with members of Evanescence
Individual photo with members of Evanescence
Access to an exclusive soundcheck
Pre-show Champagne toast with Evanescence (21+, includes a VIP only champagne flute) One Signed tour program (includes sheet music, photos, lyrics)
One Exclusive merch item
Crowd free merch shopping
One commemorative VIP laminate continue reading
For the second show of Synthesis Tour Evanescence arrived to Greek Theatre on October 15, 2017 in Los Angeles, California and here we have some pictures, videos and band reaction after the show.
One of the hightlights moments was when Amy Lee sang “Speak To Me”, the end title theme song for the soundtrack of the thriller movie “Voice From The Stone”, for first time in honor of the presence of the co-creators, one of them was Michael Wandmacher who attended to the concert.
At the Greek Theatre in Los Angeles, in honor of the presence of the co-creators of the end title theme song “Speak To Me”, Amy Lee sang for the first time live her single that recorded for the soundtrack of the thriller movie “Voice From The Stone”, one of the most anticipated songs of the fans.
One of the attendees was the composer and songwriter, Michael Wandmacher who posted on instagram and shared moments with the orchestra conductor Susie Seiter and Amy Lee.
Susie Seiter with Amy Lee and Michael Wandmacher: “With current attention to women’s work issues I wanted to celebrate my longtime partnership with @michael_wandmacher who took a chance on a very green but hard working young girl 13 years ago and treated me with so much respect and belief in my potential where SO many others just saw nothing. He opened an enormous door to propel my career as a conductor and orchestrator and I am extremely grateful for him and others like him who are part of the movement to hire qualified women and make the world right. #hirewomen#workfamily“ via Instagram.
Amy started saying “don’t judge me on this one, this isn’t an Evanescence song” just before the singer performed the beautiful song with the orchestra in the second show of the tour in support of the upcoming album “Synthesis”.
Right after sang the song she added, “special thanks to my co-creators, co-composers, co-writers, co-everything on that song cause they are all here tonight” and then continued singing “Good Enough” and ended up the show with the lovely “Swimming Home”.
Evanescence kicks off its tour in support of the upcoming album ‘Synthesis’ at The Pearl concert theater at Palms Casino Resort on October 14, 2017 in Las Vegas, Nevada and here we have some pictures, videos and band reaction after the show.
We meet the rock icon to talk about the band’s new album, working with women and the beast that is fame
For those among us who were watching Kerrang! religiously in 2003, there likely isn’t a more memorable image than that of Evanescence’s Amy Lee scaling a giant building in a flimsy nightie while screaming save me from the nothing I’ve become into the night. “Bring Me to Life”, with its huge chorus, guitars, and rock-rap went quickly platinum, brought Evanescence to global relevance, and ensured that they wouldn’t ever be forgotten. Even if that’s the only song of theirs you know, the opening piano is probably more than enough to get you amped up enough to start screaming (badly) along.
Evanescence followed 2003’s Fallen, their most commercially successful album, with The Open Door in 2006. After a hiatus and another change in line-up, the band returned in 2011 with Evanescence before going back on hiatus. Now, in 2017, the band are very much back – and while their continued legacy is thanks in part to their huge, dramatic sound and that one, timeless banger, it’s more than anything thanks to their one remaining original member: Amy Lee. In a scene and genre full to the brim with men, Amy Lee, with her outrageously impressive voice and dramatic gothic decadence, was instantly iconic.
Amy Lee has been busy in the last few years with solo work including film scores and a children’s album. But now, Evanescence, with new guitarist Jen Majura, are well and truly back. This November they’ll release Synthesis, a reworking and re-recording of some of their biggest hits (yes, including “Bring Me To Life”) with a full orchestra and electronics. It also includes brand new songs, and is the precursor to more new music and a full tour from the band. We spoke to Amy Lee, eternal alt icon, about Synthesis, why it was the right time to revisit their old work, and being a very famous woman in music since she was just 21.
The new album sounds and feels very Björk-esque, that mix of electronic with strings. Not identical, it’s your own thing, but similar.
Amy Lee: I’m a huge Björk fan, I’ll take that as a huge compliment. I think the difference might be taking that traditional Evanescence sound which has those indulgently dramatic and epic moments. Going full on with them, sometimes I feel like the drama is all a little bit too much these days. I guess part of that’s just growing up as your tastes change. This album was an outlet to go, ‘You know what, we’re just going to go completely nuts with it and let the orchestra do all of that stuff we were hinting at before and go ahead and be a little bit more classical and dramatic and make the piano parts even more Mozart inspired. Just kind of tricky crazy old school.’ It was just really fun, it’s a fun project. I’m looking forward to doing it live. I’m a little bit nervous, it’s definitely different and asking a little bit more of myself and everyone. But I’m excited.
Why did you decide to rework your old songs on Synthesis?
Amy Lee: Our music from the beginning has always had the elements of very intricate and beautiful arrangements by David Campbell, but it also has this other side of the electronic programming that I really love. In fact, most of what I listen to is in that world. Once we put everything on there; the guitars, the big rock drums, you go through all the different levels of production to the point that you have the finished product of the song but a lot of that beautiful intricate stuff gets kind of buried. Many times I’ve left the studio and wished I had a mix just of the string arrangements and the programming together with vocals because there’s something really beautiful about that. I think that was my initial thought but that snowballed into something a lot bigger, because going back in with David Campbell he completely rearranged these songs in a way that takes the whole orchestra and lets it fill in all this space that isn’t taken up by the full band at full power all the time.
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