Categoría: Musica

Amy Lee on Lean Forward Podcast Episode

Amy Lee

Amy Lee of Evanescence has sold over 20 million albums worldwide, sells out arenas throughout the world, and has had radio hit after hit in multiple countries, and for some reason decided to sit down with Jay and Jacob to chat about it all. In Episode 15, the fellas dig deep with Amy about all things music including working on her new album “Synthesis” (which debuted at number 8 on the Billboard 20 charts) with David Campbell (Beck’s dad). Post-show, she also sent along her own quick hits with descriptions of why she likes the tunes she picked. And Jay & Jacob included their own Best of 2017 playlists.

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Amy Lee on HoHo Show: “Is so healing in my heart travel with my family”

Amy Lee on Ho Ho Show

Evanescence singer Amy Lee caught up with Donny Fandango ahead of their SOLD OUT HoHo Show at Peabody Opera House on Sunday (December 3). She spoke about how the reimagining of Synthesis came to be, including the idea of playing with a full orchestra, playing beautiful theatres while wearing “fancy clothes”, how playing in this type of busy, high-level orchestral atmosphere forces her to focus and “step up” and much more.

Amy Lee on Ho Ho Show

“[The song] ‘Hi-Lo’ we’ve had in the bank for a long time,” Amy said (see video below). “I wasn’t quite finished [writing it before], but it’s just a song that never fit anywhere that I’ve been holding on to and waiting to find its right home for 10 years. So it’s this weird thing that I feel very close to already that I’ve had to listen to with my family and my friends to now finish it out and have the orchestra on it. That’s what it needed — it needed that beautiful, luscious emotion that [longtime collaborator, orchestra arranger and composer] David Campbell put on there. But I wrote that song with our producer on this album, the guy that did all the programming, Will [Hunt, not to be confused with Evanescence‘s drummer, also named Will Hunt]. It was our first collaboration together 10 years ago. And the other one, ‘Imperfection’, is brand new. We just wrote it this year. And it was very collaborative between Will, again, and also David Campbell, the arranger. He’s done all the string arranging for Evanescence for all of our albums, but this one… We went in [and said], ‘Let’s go in and go really deep and rip [the songs] apart and elevate ’em to another place together and make something new.’ So for all of it, and the new [song] included, he was a real part of what laid the foundation of what was gonna happen. So it gave the music and the writing and everything a chance to grow in some different directions.”

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Evanescence played Synthesis version of “Weight Of The World”

Evanescence

Photo by Andy Argyrakis

In the show last night (30/11), which took place at the Chicago Theater in Chicago, Illinois Evanescence played for the first time “Weight Of The World” song that is part of the album “The Open Door”, in a version in the style of the album Synthesis.

Watch the performance here:

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Amy Lee on Being a Woman in Music: ‘I Have Fought So Many Fights’

Evanescence

The Evanescence leader discusses her band’s ‘Synthesis album, and the inspiration behind single “Imperfection.”

Thirty years ago, when metal and hard rock ruled the airwaves, the genre had few female artists in the spotlight. During the ’90s, female-fronted bands like Lacuna Coil, Arch EnemyWithin Temptation and Nightwish started building their careers, but no woman in the scene achieved significant mainstream crossover success.

Then in 2003, Evanescence released its major-label debut, Fallen. Breakout track “Bring Me to Life” introduced the Arkansas quintet’s sound: singer-pianist Amy Lee’s siren vocals paired with crunchy guitars and gothic-flavored atmospheres. To date, the album has sold 8 million copies in the United States alone, according to Nielsen Music.

Lee’s success expanded the opportunities for other rock acts featuring women, and since then, groups like ParamoreThe Pretty Reckless and Halestorm have made their mark. Pretty Reckless frontwoman Taylor Momsen, who cites Evanescence as being her first concert when she was about 10 years old, considers Lee an innovator. Continue reading

Evanescence News: Episode 2 – “Speak To Me” (CC Spanish)

Evanescence News - Episode 2

Amy Lee‘s song “Speak To Me” won as The Best Original Song in an Indie Film and in this episode we are talking about the reactions of the composers behind the song.

Watch it (spanish subtitles can be activated), share it and don’t forget to subscribe 

Featured by:

EvTod: http://evtod.thefanhost.com/
Lovely Amyhttp://lovelyamy.com.mx/
Evanescence Channelhttps://www.youtube.com/c/EvanescenceChannel

Track-By-Track of Synthesis – Part 1

Track by Track 1

Through the official facebook of the band Amy Lee will be doing a track-by-track of the album Synthesis. Read the first four songs here:

OvertureOVERTURE
“That progression includes bits from some of our earliest music, including ‘Whisper,’ which was one of the first songs we ever recorded and anyone ever heard from us.”
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Evanescence’s ‘Synthesis’ Cracks Billboard Top 10

Evanescence

Evanescence‘s “Synthesis” sold 34,000 equivalent album units in the week ending November 16, according to Nielsen Music, to land at position No. 8 on the Billboard 200 chart. Of that sum, 30,000 were in traditional album sales. The set is a reimagining of some of Evanescence‘s best-loved songs — as well as a couple of new ones. “Synthesis” is Evanescence‘s first album since its 2011 self-titled release, which debuted at No. 1. The new album is the group’s fourth top 10 effort, following “Evanescence”“The Open Door” (No. 1 in 2006) and “Fallen” (No. 3, 2003).

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Amy Lee’s song “Speak To Me” won a Hollywood Music in Media Award

speaktomewmma

Last night the Hollywood Music in Media Awards were held at the nightclub Avalon Hollywood in Los Angeles where Amy Lee‘s song “Speak To Me”, the end title theme from Voice From The Stone movie, won in the category best original song in an independent film.
The song competed with the following nominees:

ORIGINAL SONG – INDEPENDENT FILM
• “Calling to Me” (One Percent More Humid) Written by Nathan Halpern. Performed by Emily Forsythe
• “My tiredness Hasn’t limit” (The Enchanted) Written by Ivan Ruiz Serrano, Ricardo Davila and Angela Boj, performed by Angela Boj
• “PBNJ” (Patti Cake$) Written By Geremy Jasper & Jason Binnick. Performed by Danielle Macdonald, Siddharth Dhananjay & Cathy Moriarty
• “Speak To Me” (Voice from the Stone) Written by Amy Lee & Michael Wandmacher. Performed by Amy Lee

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Q&A with Amy Lee on Stack: “I wanted to flip the script and challenge myself [about vocal rhythms on new track Imperfection]”

Amy Lee

We asked Evanescence frontwoman Amy Lee all about the band’s new album Synthesis – a collection of re-recordings (and two new tracks) of some of the alt-rock group’s most treasured songs, rearranged with full orchestra.

It’s amazing how so many of the orchestral instruments sound like they were always supposed to be there, and the electronic beats you’ve chosen have a very industrial feel, which fits the Evanescence style beautifully. Were many of these elements already imagined in your mind before you started this project?Synthesis

Thank you! Yes, actually. I didn’t know what the whole thing would sound like when we were done; there is so much detail that was created as we went. But honestly, this is more like the way I hear our music in my head.

Some of the decisions you’ve made here with arrangements, do they reflect ways that you’ve developed the tracks during their lives as part of your live setlist?

Yes. Not in the obvious ways. Our usual live show is very much about amplifying and energizing things to make a non-stop, heavy rock show. We add parts to build drama, make four bars into eight and add a drum solo, go straight from one song to the next. But this project isn’t feeding that need – it’s meant to be experienced in a different way. The things that I was able to add into these new versions that stemmed from the songs’ live growth over time is mainly about vocal performance. That little extra note in the bridge of Bring Me To Life (“only you…”) is a good example. That’s been something I do live when I’m really enjoying the moment and want to push further.
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Amy Lee on Metal Hammer: “I need to step away and not feel like a ‘rockstar’ any more”

Photo by P. R. Brown

Photo by P. R. Brown

When Evanescence unleashed Fallen in 2003, they inspired a generation. But for Amy Lee, it was the start of a decade-long struggle to control her own destiny

Amy Lee is in a playful mood. Despite talking to press all day, the Evanescence singer and gothic rock superstar is warm and chatty, anticipating our next question with a, “C’mon, what you got, whatcha got?” and giggling. “You’re my last in a looong block of interviews,” she tells us in her throaty, sing-song voice before we begin – but to her credit, it’s clear that when it comes to talking about Evanescence, she’s so fiercely proud of her band that she relishes the chance to set a few things straight.

Over 22 years, Evanescence have continued to defy expectation. From their humble, teenage beginnings in the 90s to the overwhelming breakthrough of Bring Me To Life, the song that became ubiquitous on every music channel for its iconic depiction of Amy Lee as a kind of gothic Rapunzel, to their new record Synthesis, an orchestral retrospective of their career, there’s a lot of ground to cover. Yes, with just three studio albums in 20 years, they’ve appeared to have some long breaks, but Amy is adamant that it’s all part of a process that’s allowed the band to continue.
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