You have just released a new album after six years. Your fans got crazy about it and it also got really nice comments from the critics. Some of your fans were surprised with the electro-orchestral adaptations and low-down guitars in your new album. How did you decide to make your new album “Synthesis” which includes your older songs with this new sound? What has been changed for Evanescence in six years? Can you tell us the story behind the album?
Well I really wanted to show a lot of these older songs in another light. The symphonic and electronic elements have always been part of our music, but usually spend most of their time in the background, supporting the band. I wanted to show a bigger picture of what Evanescence is, what these songs are to me. These arrangements give the lyrics a new depth to me, and I wanted the challenge of working in a different way, with some classical legitimacy. There was extra freedom with the older songs than there is when we’re putting out a new song, because the point wasn’t to make it a hit, show all sides of it at once. We already did that. So we could just totally run wild with the classical, film score side of the music.
There is a common question on your fans’ heads; are you going to release anything new that couldn’t make it on to the album in the near future? Like “Weight of the World” that you have been playing at the live shows recently. continue reading