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by evtodSeptiembre 19 2018No Comments">No Comments

Synthesis Live available for pre-order on iTunes

Synthesis Live by Evanescence is now available for pre-order on iTunes: https://apple.co/2MK9R9H

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In 2003, Evanescence released Fallen, one of the most decade-defining albums (and one of the most successful debut albums of all time) and have gone on to became one of the most well-loved & respected bands of their generation. In the 15 years since their debut, Evanescence founder and lead-singer, Amy Lee, toured the world, has scored motion picture films and even took a 3 year break to start a family. In late 2017, Evanescence re-emerged from their hiatus with Synthesis—a reimagining of their best-known songs with orchestra & electronics and an accompanying sold-out and highly-acclaimed world tour. On November 3, 2017 Evanescence performed “Synthesis Live” in front of a sold out crowd at the Grand Theater at Foxwoods Casino in CT.

Pre-Order $12.99

Source: Evanescence Crew & Games of Evanescence

by evtodAgosto 08 2018No Comments">No Comments

Evanescence announces Synthesis Live with DVD

And the day has arrived, Evanescence announced through its networks a new DVD.

And the news is….! We are very excited to announce that Synthesis Live with Orchestra, filmed on our tour by the one and only Paul Brown and mixed by Damian Taylor, will be available on DVD/Blu-Ray/Digital on 10/12. Pre-order your copy now! http://smarturl.it/evanescencelive

Here are the details of the launch:

In 2003, Evanescence released Fallen, one of the most decade-defining albums (and one of the most successful debut albums of all time) and have gone on to became one of the most well-loved & respected bands of their generation. In the 15 years since their debut, Evanescence founder and lead-singer, Amy Lee, toured the world, has scored motion picture films and even took a 3 year break to start a family. In late 2017, Evanescence re-emerged from their hiatus with Synthesis — a reimagining of their best-known songs with orchestra, electronics and an accompanying sold-out and highly acclaimed world tour.

On November 3, 2017 Evanescence performed Synthesis Live in front of a sold out crowd at the Grand Theater at Foxwoods Casino in CT.

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by evtodDiciembre 29 2017No Comments">No Comments

Evanescence News: Episode 5 and 6 – “Track by Track” (CC English)

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In these two new episodes of “Evanescence News” we talk again about Track by Track by Amy Lee. This time is the opportunity for the songs “Bring Me To Life”, “Unraveling”, “Lacrymosa” and “The End Of The Dream”.

Watch it (english and portuguese subtitles can be activated), share it and don’t forget to subscribe 

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EvTodhttp://evtod.thefanhost.com/
Lovely Amyhttp://lovelyamy.com.mx/
Evanescence Channelhttps://www.youtube.com/c/EvanescenceChannel

by evtodDiciembre 29 2017No Comments">No Comments

Amy Lee: “The pressure comes when you feel like you can’t be yourself”

Photo by P. R. Brown

Photo by P. R. Brown

Evanescence will be hitting the east coast of Australia in February with their Synthesis – Live With Orchestra tour. We were lucky enough to chat with frontwoman Amy Lee ahead of the tour.

Performing with an orchestra that you can’t have multiple rehearsals with is no simple feat- what’s behind the decision to tour the upcoming album with local orchestras in each city?

It’s an incredible and intimidating thing. With 28 musicians being added to the band, I can’t really imagine how we would take them all on the road with us! Before we began the tour I was more than a little curious as to how well it would work, but it’s been working beautifully. We owe a lot of that to Susie Seiter, our touring conductor. She spends 2 hours with the orchestra every day going over the whole show and working through the hard parts, teaching them the music. We actually only get 30 minutes with band and orchestra together every day before the show that night, so most of our performance is being done for the very first time as a group in front of the audience. It creates this very raw energy during the show that I love.

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by evtodDiciembre 08 2017No Comments">No Comments

Track-By-Track of Synthesis – Part 2

Track by Track 2

Through the official facebook of the band Amy Lee is doing a track-by-track of the album Synthesis. Read the second part with four more songs here:

001LACRYMOSA
“The original was based on Mozart’s ‘Requiem’ and the movie Amadeus, which is why it was a natural choice to include. It was something I’d wanted to do for a long time before we did it on The Open Door album. ‘Lacrymosa’ is one of my favorite pieces of classical music. I’ve always been proud of the song. To do it now, and get to pump up the orchestra and classical music aspect of it, feels really good. I threw in a little bit of opera in there instead of the choir in the original. I feel like it’s a cool piece of who I am. Not on a corny level, just a teeny-tiny taste.”

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by evtodNoviembre 16 2017No Comments">No Comments

Q&A with Amy Lee on Stack: “I wanted to flip the script and challenge myself [about vocal rhythms on new track Imperfection]”

Amy Lee

We asked Evanescence frontwoman Amy Lee all about the band’s new album Synthesis – a collection of re-recordings (and two new tracks) of some of the alt-rock group’s most treasured songs, rearranged with full orchestra.

It’s amazing how so many of the orchestral instruments sound like they were always supposed to be there, and the electronic beats you’ve chosen have a very industrial feel, which fits the Evanescence style beautifully. Were many of these elements already imagined in your mind before you started this project?Synthesis

Thank you! Yes, actually. I didn’t know what the whole thing would sound like when we were done; there is so much detail that was created as we went. But honestly, this is more like the way I hear our music in my head.

Some of the decisions you’ve made here with arrangements, do they reflect ways that you’ve developed the tracks during their lives as part of your live setlist?

Yes. Not in the obvious ways. Our usual live show is very much about amplifying and energizing things to make a non-stop, heavy rock show. We add parts to build drama, make four bars into eight and add a drum solo, go straight from one song to the next. But this project isn’t feeding that need – it’s meant to be experienced in a different way. The things that I was able to add into these new versions that stemmed from the songs’ live growth over time is mainly about vocal performance. That little extra note in the bridge of Bring Me To Life (“only you…”) is a good example. That’s been something I do live when I’m really enjoying the moment and want to push further.
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