Two totally different magazines reviewed the second Evanescence show from the current tour of Synthesis at Greek Theatre in Los Angeles which took place last Sunday, October 15th.
The first one, is from Variety magazine which titling the show as a “Amp Up the Drama With 20-Piece Orchestra” and the second from RockRevolt Magazine describe the perfomance as a “live performance created a cinematic and momentous sound, melodies that resonated across the entire venue”, adding that “this did not deter a single fan, however, as the audience was absolutely blown away by the performance”.
Concert Review: Evanescence Amp Up the Drama With 20-Piece Orchestra at L.A.’s Greek Theatre
CREDIT: PHOTO: ANABEL DFLUX
Evanescence lead singer Amy Lee made the leap from goth-rocker to opera diva last night, as she and the band led a 20-piece orchestra through a sold-out performance at the Greek Theatre Sunday night, previewing the group’s fourth album, “Synthesis,” which comes out November 10.
Both the concert and the album — Evanescence’s first since its self-titled 2011 effort — offer a reimagining of the group’s catalog with a full symphony orchestra, arranged by none other than Beck’s father, veteran arranger David Campbell, whose collaboration with the band dates back to its first album. The concert was the second of Evanescence’s current “Synthesis Live” tour, as they team up with a different symphony orchestra (under the direction of conductor Susie Seiter) in each city for an 80-minute, 18-song set. Continue reading First reviews from Evanescence Synthesis Live concert
We meet the rock icon to talk about the band’s new album, working with women and the beast that is fame
For those among us who were watching Kerrang! religiously in 2003, there likely isn’t a more memorable image than that of Evanescence’s Amy Lee scaling a giant building in a flimsy nightie while screaming save me from the nothing I’ve become into the night. “Bring Me to Life”, with its huge chorus, guitars, and rock-rap went quickly platinum, brought Evanescence to global relevance, and ensured that they wouldn’t ever be forgotten. Even if that’s the only song of theirs you know, the opening piano is probably more than enough to get you amped up enough to start screaming (badly) along.
Evanescence followed 2003’s Fallen, their most commercially successful album, with The Open Door in 2006. After a hiatus and another change in line-up, the band returned in 2011 with Evanescence before going back on hiatus. Now, in 2017, the band are very much back – and while their continued legacy is thanks in part to their huge, dramatic sound and that one, timeless banger, it’s more than anything thanks to their one remaining original member: Amy Lee. In a scene and genre full to the brim with men, Amy Lee, with her outrageously impressive voice and dramatic gothic decadence, was instantly iconic.
Amy Lee has been busy in the last few years with solo work including film scores and a children’s album. But now, Evanescence, with new guitarist Jen Majura, are well and truly back. This November they’ll release Synthesis, a reworking and re-recording of some of their biggest hits (yes, including “Bring Me To Life”) with a full orchestra and electronics. It also includes brand new songs, and is the precursor to more new music and a full tour from the band. We spoke to Amy Lee, eternal alt icon, about Synthesis, why it was the right time to revisit their old work, and being a very famous woman in music since she was just 21.
The new album sounds and feels very Björk-esque, that mix of electronic with strings. Not identical, it’s your own thing, but similar.
Amy Lee: I’m a huge Björk fan, I’ll take that as a huge compliment. I think the difference might be taking that traditional Evanescence sound which has those indulgently dramatic and epic moments. Going full on with them, sometimes I feel like the drama is all a little bit too much these days. I guess part of that’s just growing up as your tastes change. This album was an outlet to go, ‘You know what, we’re just going to go completely nuts with it and let the orchestra do all of that stuff we were hinting at before and go ahead and be a little bit more classical and dramatic and make the piano parts even more Mozart inspired. Just kind of tricky crazy old school.’ It was just really fun, it’s a fun project. I’m looking forward to doing it live. I’m a little bit nervous, it’s definitely different and asking a little bit more of myself and everyone. But I’m excited.
Why did you decide to rework your old songs on Synthesis?
Amy Lee: Our music from the beginning has always had the elements of very intricate and beautiful arrangements by David Campbell, but it also has this other side of the electronic programming that I really love. In fact, most of what I listen to is in that world. Once we put everything on there; the guitars, the big rock drums, you go through all the different levels of production to the point that you have the finished product of the song but a lot of that beautiful intricate stuff gets kind of buried. Many times I’ve left the studio and wished I had a mix just of the string arrangements and the programming together with vocals because there’s something really beautiful about that. I think that was my initial thought but that snowballed into something a lot bigger, because going back in with David Campbell he completely rearranged these songs in a way that takes the whole orchestra and lets it fill in all this space that isn’t taken up by the full band at full power all the time.
Amy Lee of US band Evanescence is touring Australia — with a full orchestra — next year. Picture: Sony Source: Supplied
Re-recording their biggest hits with an orchestra means Evanescence’s Amy Lee has been able to remove *that* rap from Bring Me to Life
EVANESCENCE’S Amy Lee is rewriting history on the band’s new album.
Their fourth release Synthesis is the opposite of an unplugged effort — rather Lee has re-recorded the band’s old material an even more dramatic and bombastic manner, with a full orchestra and heavy electronics.
That includes their breakthrough 2003 hit Bring Me To Life. And there’s something missing from the version you know — that rap, by guest vocalist Paul McCoy.
“God bless the rap, it’s part of what got us on the radio I guess,” Lee says. “At least according to all the rules of radio that I don’t agree with or understand. The rap wasn’t part of our original idea or sound, it was a compromise in many ways. So to be able to go back to the original vision for the song was great.”
Here’s Evanescence looking moody, with singer Amy Lee far left. Picture: Sony Music Source: Supplied
It’s not uncommon for an artist to go back and record their songs — Lee embraced being to able to revisit the band’s signature hit after performing it live at every concert they’ve played since it was release.
“The recording of a song that ends being the one you hear the most through history is usually when the song was just freshly written. You’re still learning it yourself and getting used to what the notes are and how the parts go. That’s true for Bring Me to Life for sure. After doing it live for so long there’s different vocal choices I’ve made and different things we got to use in this version.”
And no rap.
“I forget the rap’s there now to be honest,” Lee says. “At the time it was a big issue, it was our first single. I wanted people to understand who we were. That’s a struggle you always fight as an artist. If we only had the one hit, if no one ever heard from us again then nobody would understand who we were. We’ve made it past that point so the rap doesn’t make me angry any more. I’m so glad to put a new version out there without the rap though.”
Amy Lee from Evanescence performs live at Steinway & Sons – Facebook: Paste Music & Daytrotter
While in New York City, Evanescence’s Amy Lee sat down with Paste Music for a personal Q&A session at Steinway Hall before venturing off on their Synthesis Live tour on October 14th.
When asked to describe the concept behind Synthesis, Lee said, “This is a total passion project for me. There are so many layers in our music, underneath the huge drums and guitars.” She went on to say, “I’ve always wanted to shine a light on some of the gorgeous David Campbell arrangements and programming elements in our songs, and that idea snowballed into completely re-doing them with full orchestra, not just strings, elaborate programming and experimentation.”
Their upcoming Synthesis album and tour features a modern reworking of some of their classic songs with a full orchestra and electronica elements. The album will also include two brand new Evanescence songs, one of which is the newly released “Imperfection.”
A través de Facebook y el sitio oficial fue anunciado el tour y álbum de Synthesis, que recorrerá US este Otoño junto al arreglista David Campbell y productor Will (Science) Hunt.
Ya se ha revelado que el álbum será lanzado el próximo 10 de Noviembre!.
A continuación el comunicado y video oficial anunciando la gira.
Nuevo álbum ‘Synthesis’ este otoño y gira en vivo de ‘Synthesis’
Evanescence regresa este otoño con Synthesis, su cuarto disco de estudio, programado para su lanzamiento en Otoño del 2017. El grupo hoy, 14 de Agosto, anunció la gira ‘Synthesis’ en vivo la que se lanzará este otoño comenzando el 14 de Octubre en la costa oeste. Tal como el disco, ‘Synthesis en vivo’ tendrá un re-imaginario de algunas de las canciones más amadas de Evanescence con la luz de una orquesta completa, electrónicas combinadas con la banda y el piano virtuoso y voz de Amy Lee.
Amy Lee anunció el pasado miércoles (10 de Mayo) a través del facebook oficial de Evanescence el nuevo “proyecto” que se traducirá en un nuevo álbum llamado “Synthesis”.
El nuevo paso que dará la banda mezcla orquesta y sonidos electrónicos, “Este álbum trata sobre la orquesta y la electrónica. Estamos tomando nuestra música, dejando de lado las grandes guitarras distorsionadas, las baterías de rock y reemplazándolos por una orquestación completa y un mundo completamente sintético de ritmos y sonidos”.
Synthesis, además contara con la colaboración de David Campbell, el arreglista que ha trabajado con la banda en sus tres álbumes y que ayudara a escoger las canciones del catalogo de la agrupación. Agregando a esta nueva vuelta de tuerca, se incluirán dos nuevas canciones que se sumaran al compilado que formara el nuevo álbum.
Amy Lee, finaliza el anuncio indicando que este nuevo álbum además tendrá una gira con la orquesta completa, y que tendrá ambos disco y tour, lugar en Otoño (de US).
Aquí puedes ver el anuncio completo con subtitulos en español.