Etiqueta: Lacrymosa

The Best Moments from 2017

rewind2017

Is that time of the year where we rewind the best moments from 2017, so here we have 7 favs moments we consider are important for us and the band history.

1. South American Tour

What was your best moment of 2017?. For me, without a doubt is the tour of the band through South America!. The band visited some countries of South America last year beginning with Brazil (Brasilia) on April 20 ending in Chile (Santiago) on May 4.

SHOWS 2017

20/04/2017 – Net Live @ Brasilia, Brazil (Tickets)

22/04/2017 – Vivo Rio @ Rio de Janeiro, Brazil (Tickets)

23/04/2017 – Espaço das Americas @ Sao Paulo, Brazil (Tickets)

27/04/2017 – Agora Casa de la Cultura @ Quito, Ecuador (Tickets)

29/04/2017 – Festival Vivo El Rock @ Lima, Perú (Tickets)

02/05/2017 – Tecnopolis @ Buenos Aires, Argentina (Tickets)

04/05/2017 – Movistar Arena @ Santiago, Chile (Tickets)

Here some of the most memorable moments of the tour:


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Evanescence News: Episode 5 and 6 – “Track by Track” (CC English)

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In these two new episodes of “Evanescence News” we talk again about Track by Track by Amy Lee. This time is the opportunity for the songs “Bring Me To Life”, “Unraveling”, “Lacrymosa” and “The End Of The Dream”.

Watch it (english and portuguese subtitles can be activated), share it and don’t forget to subscribe 

Featured by:

EvTodhttp://evtod.thefanhost.com/
Lovely Amyhttp://lovelyamy.com.mx/
Evanescence Channelhttps://www.youtube.com/c/EvanescenceChannel

Track-By-Track of Synthesis – Part 2

Track by Track 2

Through the official facebook of the band Amy Lee is doing a track-by-track of the album Synthesis. Read the second part with four more songs here:

001LACRYMOSA
“The original was based on Mozart’s ‘Requiem’ and the movie Amadeus, which is why it was a natural choice to include. It was something I’d wanted to do for a long time before we did it on The Open Door album. ‘Lacrymosa’ is one of my favorite pieces of classical music. I’ve always been proud of the song. To do it now, and get to pump up the orchestra and classical music aspect of it, feels really good. I threw in a little bit of opera in there instead of the choir in the original. I feel like it’s a cool piece of who I am. Not on a corny level, just a teeny-tiny taste.”

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Evanescence played Synthesis version of “Weight Of The World”

Evanescence

Photo by Andy Argyrakis

In the show last night (30/11), which took place at the Chicago Theater in Chicago, Illinois Evanescence played for the first time “Weight Of The World” song that is part of the album “The Open Door”, in a version in the style of the album Synthesis.

Watch the performance here:

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Q&A with Amy Lee on Stack: “I wanted to flip the script and challenge myself [about vocal rhythms on new track Imperfection]”

Amy Lee

We asked Evanescence frontwoman Amy Lee all about the band’s new album Synthesis – a collection of re-recordings (and two new tracks) of some of the alt-rock group’s most treasured songs, rearranged with full orchestra.

It’s amazing how so many of the orchestral instruments sound like they were always supposed to be there, and the electronic beats you’ve chosen have a very industrial feel, which fits the Evanescence style beautifully. Were many of these elements already imagined in your mind before you started this project?Synthesis

Thank you! Yes, actually. I didn’t know what the whole thing would sound like when we were done; there is so much detail that was created as we went. But honestly, this is more like the way I hear our music in my head.

Some of the decisions you’ve made here with arrangements, do they reflect ways that you’ve developed the tracks during their lives as part of your live setlist?

Yes. Not in the obvious ways. Our usual live show is very much about amplifying and energizing things to make a non-stop, heavy rock show. We add parts to build drama, make four bars into eight and add a drum solo, go straight from one song to the next. But this project isn’t feeding that need – it’s meant to be experienced in a different way. The things that I was able to add into these new versions that stemmed from the songs’ live growth over time is mainly about vocal performance. That little extra note in the bridge of Bring Me To Life (“only you…”) is a good example. That’s been something I do live when I’m really enjoying the moment and want to push further.
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