Etiqueta: Paul McCoy

Amy Lee on The Age: “I was insecure and unsure”

Amy Lee

In 2003 you’d be hard-pressed to find an Australian commercial radio station that wasn’t blasting Evanescence‘s Bring Me To Life.

The band’s frontwoman, Amy Lee, was transformed into a success story practically overnight. Her rock band sold hundreds of thousands of copies of its debut album with its first week alone. Fallen went on to sell more than 17 million copies worldwide, with one of its tracks featuring on the 2003 Daredevil film.

But behind the smokescreen of success, Lee was struggling to cope with fame.

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Evanescence News: Episode 5 and 6 – “Track by Track” (CC English)

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In these two new episodes of “Evanescence News” we talk again about Track by Track by Amy Lee. This time is the opportunity for the songs “Bring Me To Life”, “Unraveling”, “Lacrymosa” and “The End Of The Dream”.

Watch it (english and portuguese subtitles can be activated), share it and don’t forget to subscribe 

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EvTodhttp://evtod.thefanhost.com/
Lovely Amyhttp://lovelyamy.com.mx/
Evanescence Channelhttps://www.youtube.com/c/EvanescenceChannel

Track-By-Track of Synthesis – Part 2

Track by Track 2

Through the official facebook of the band Amy Lee is doing a track-by-track of the album Synthesis. Read the second part with four more songs here:

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“The original was based on Mozart’s ‘Requiem’ and the movie Amadeus, which is why it was a natural choice to include. It was something I’d wanted to do for a long time before we did it on The Open Door album. ‘Lacrymosa’ is one of my favorite pieces of classical music. I’ve always been proud of the song. To do it now, and get to pump up the orchestra and classical music aspect of it, feels really good. I threw in a little bit of opera in there instead of the choir in the original. I feel like it’s a cool piece of who I am. Not on a corny level, just a teeny-tiny taste.”

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Amy Lee on Being a Woman in Music: ‘I Have Fought So Many Fights’

Evanescence

The Evanescence leader discusses her band’s ‘Synthesis album, and the inspiration behind single “Imperfection.”

Thirty years ago, when metal and hard rock ruled the airwaves, the genre had few female artists in the spotlight. During the ’90s, female-fronted bands like Lacuna Coil, Arch EnemyWithin Temptation and Nightwish started building their careers, but no woman in the scene achieved significant mainstream crossover success.

Then in 2003, Evanescence released its major-label debut, Fallen. Breakout track “Bring Me to Life” introduced the Arkansas quintet’s sound: singer-pianist Amy Lee’s siren vocals paired with crunchy guitars and gothic-flavored atmospheres. To date, the album has sold 8 million copies in the United States alone, according to Nielsen Music.

Lee’s success expanded the opportunities for other rock acts featuring women, and since then, groups like ParamoreThe Pretty Reckless and Halestorm have made their mark. Pretty Reckless frontwoman Taylor Momsen, who cites Evanescence as being her first concert when she was about 10 years old, considers Lee an innovator. Continue reading

First reviews from Evanescence Synthesis Live concert

Photos by Anabel DFlux

Photos by Anabel DFlux

Two totally different magazines reviewed the second Evanescence show from the current tour of Synthesis at Greek Theatre in Los Angeles which took place last Sunday, October 15th.

The first one, is from Variety magazine which titling the show as a “Amp Up the Drama With 20-Piece Orchestra” and the second from RockRevolt Magazine describe the perfomance as a “live performance created a cinematic and momentous sound, melodies that resonated across the entire venue”, adding that “this did not deter a single fan, however, as the audience was absolutely blown away by the performance”.

Review from Variety Music:

Concert Review: Evanescence Amp Up the Drama With 20-Piece Orchestra at L.A.’s Greek Theatre

By Roy Trakin

CREDIT: PHOTO: ANABEL DFLUX

CREDIT: PHOTO: ANABEL DFLUX

Evanescence lead singer Amy Lee made the leap from goth-rocker to opera diva last night, as she and the band led a 20-piece orchestra through a sold-out performance at the Greek Theatre Sunday night, previewing the group’s fourth album, “Synthesis,” which comes out November 10.

Both the concert and the album — Evanescence’s first since its self-titled 2011 effort — offer a reimagining of the group’s catalog with a full symphony orchestra, arranged by none other than Beck’s father, veteran arranger David Campbell, whose collaboration with the band dates back to its first album. The concert was the second of Evanescence’s current “Synthesis Live” tour, as they team up with a different symphony orchestra (under the direction of conductor Susie Seiter) in each city for an 80-minute, 18-song set.
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NEWS.COM.AU: Evanescence have removed the “compromise” rap from biggest hit

Amy Lee of US band Evanescence is touring Australia — with a full orchestra — next year. Picture: Sony Source: Supplied

Amy Lee of US band Evanescence is touring Australia — with a full orchestra — next year. Picture: Sony Source: Supplied

Re-recording their biggest hits with an orchestra means Evanescence’s Amy Lee has been able to remove *that* rap from Bring Me to Life

EVANESCENCE’S Amy Lee is rewriting history on the band’s new album.

Their fourth release Synthesis is the opposite of an unplugged effort — rather Lee has re-recorded the band’s old material an even more dramatic and bombastic manner, with a full orchestra and heavy electronics.

That includes their breakthrough 2003 hit Bring Me To Life. And there’s something missing from the version you know — that rap, by guest vocalist Paul McCoy.

“God bless the rap, it’s part of what got us on the radio I guess,” Lee says. “At least according to all the rules of radio that I don’t agree with or understand. The rap wasn’t part of our original idea or sound, it was a compromise in many ways. So to be able to go back to the original vision for the song was great.”

Here’s Evanescence looking moody, with singer Amy Lee far left. Picture: Sony Music Source: Supplied

Here’s Evanescence looking moody, with singer Amy Lee far left. Picture: Sony Music Source: Supplied

It’s not uncommon for an artist to go back and record their songs — Lee embraced being to able to revisit the band’s signature hit after performing it live at every concert they’ve played since it was release.

“The recording of a song that ends being the one you hear the most through history is usually when the song was just freshly written. You’re still learning it yourself and getting used to what the notes are and how the parts go. That’s true for Bring Me to Life for sure. After doing it live for so long there’s different vocal choices I’ve made and different things we got to use in this version.”

And no rap.

“I forget the rap’s there now to be honest,” Lee says. “At the time it was a big issue, it was our first single. I wanted people to understand who we were. That’s a struggle you always fight as an artist. If we only had the one hit, if no one ever heard from us again then nobody would understand who we were. We’ve made it past that point so the rap doesn’t make me angry any more. I’m so glad to put a new version out there without the rap though.”

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Paul McCoy se une a Evanescence en el Kink Festival para cantar en ‘Bring Me To Life’

Paul McCoy se une a Evanescence en el Kink Festival para cantar en <em>‘Bring Me To Life’</em>

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Surgió un momento único en la historia de la banda ayer durante la gira “Fall Tour” de Evanescence. Después de años de ser lanzada “Bring Me To Life”, el mismísimo Paul McCoy, vocalista de 12 Stones se unió en el escenario del Kink Festival que tuvo lugar en Orlando, para interpretar el single del disco Fallen. Mira aquí la participación durante el festival: